Recommended Boutique -- Jia Guangjian's Flower and Bird Paintings

*本次藏品 贾广健 花鸟 设色纸本软片

印鉴：贾氏、广健 题识：荷花香满湖，辛卯春于天津藕香馆，广健。

贾广健，河北永清县人，一九六四年生。一九九四年天津美术院中国画专业研究生毕业并获硕士学位，留校任教。现为天津画院院长、教授、中国国家画院教学部主任，国画院研究员、院艺术委员会委员、青年画院副院长、天津美术家协会副主席、天津中国画学会执行会长，天津美院党委副书记、院长、中央美术学院特聘教授、北京大学艺术学院特聘研究生导师、中国美术家协会会员、中国画学会理事、中国工笔画学会常务理事、北京工笔画学会理事、天津市青联常委、天津市有突出贡献的中青年专家，全国第十二届美展中国画评委、全国第十次文代会代表，全国中青年德艺双馨文艺工作者。中宣部全国“四个一批”文艺名家。

贾广健是修养较为全面的艺术家，有扎实的传统功力和文化知识的储备，对传统山水画的艺术奥秘有较深的领会，更善于从大自然中吸收养料，进行有个性的创造。他的花鸟画，画出了山水的雄健、厚重和苍茫、动物的灵动、精巧，和内心的细腻，利用留白，带动山、树、人、虫的画面节奏感。

作为当代“京津画派”重要的代表人物之一，有人评价贾广健开创了工笔花鸟画新语境和新式样，使中国工笔画进入现代意境，对笔墨的领悟使他的写意花鸟即挥洒自然、放逸之中不失法度，画风温润古雅而耐人玩味。

贾广健的画都十分的清净，一实一形之物和多为大景，着眼极宽，较为容易创造出画中之清、之境。除了技艺方面的处理方法，另外也要在题材上有所选择。他的荷花系列作品中尤其体现了他在这种境界中的创造成果。

Jia Guangjian was born in 1964 in Yongqing County, Hebei Province. In 1994, he graduated from the Tianjin Academy of Fine Arts with a master's degree in Chinese painting and stayed on to teach at the academy. Now he is the president and professor of Tianjin Painting Academy, director of the teaching department of China National Academy of Painting, researcher of National Academy of Painting, member of the art committee of the academy, vice president of Youth Painting Academy, vice president of Tianjin Artists Association, executive chairman of Tianjin Chinese Painting Association, deputy secretary of the party committee and president of Tianjin Academy of Fine Arts, special professor of the Central Academy of Fine Arts and special postgraduate supervisor of Peking University School of Art, Member of the Chinese Artists Association, Director of the Chinese Painting Society, Executive Director of the Chinese Gongbi Painting Society, Director of the Beijing Gongbi Painting Society, Member of the Standing Committee of the Tianjin Youth Federation, Young and Middle-aged Expert with Outstanding Contributions in Tianjin, Member of the Jury of Chinese Painting in the 12th National Fine Arts Exhibition, Delegate of the 10th National Literature Congress, and Young and Middle-aged Worker of Virtuous Arts and Culture. He is also a member of the “Four Groups” of Literary and Artistic Masters of the Central Propaganda Department.

Jia Guangjian is a well-rounded artist with solid traditional skills and cultural knowledge, a deep understanding of the mysteries of traditional landscape painting, and a knack for absorbing nutrients from nature and creating his own personalized works. In his bird and flower paintings, he brings out the robustness, heaviness and vastness of mountains and waters, the animation and delicacy of animals, and the delicacy of his heart, and utilizes white space to drive the rhythm of mountains, trees, people and insects.

As one of the important representatives of the contemporary “Beijing-Tianjin School of Painting”, Jia Guangjian has been evaluated as having created a new context and style for brushwork flower and bird paintings, making Chinese brushwork paintings enter the modern realm of meaning, and his understanding of brushwork and ink has made his brushwork flower and bird paintings that are natural and free without losing the law, and his style of paintings is warm, elegant and intriguing.

Jia Guangjian's paintings are very clean, a real shape of things and more for the big scene, focusing on the very wide, easier to create a painting of the clear, the realm. In addition to the technical aspects of the method of treatment, but also in the choice of subject matter. His lotus series of works especially reflect the results of his creation in this realm.

*本次藏品 贾广健 花鸟 设色纸本软片

印鉴：贾氏、广健 题识：荷花香满湖，辛卯春于天津藕香馆，广健。

“荷花”系列作品早已成为贾广健的名片，也是其享誉全国的书画之作。近期我公司有幸征集到一幅贾广健的花鸟画，藏品长135cm、宽70cm，收录于《当代名家精品——贾广健卷》中。全图设色淡雅，画面以复瓣莲花为主，硕大的荷叶自由舒展，大小荷花竞相绽放，莲蓬饱满，水草修长。鸟儿驻足在荷花丛中，意境和谐美好。从构图艺术上看，荷茎是线，水草是线，荷叶是面，荷花、莲蓬、鸟儿再而三点。点线面完美的结合在一起，相互映衬，繁而不乱。而技法上贾广健既保留了传统没骨花卉所特有的严谨、工致、典雅、清妍，又呈现出前所未有的鲜活、自然、灵动、飘逸。以当代工笔肌理中水迹的运用，形成花叶自然的边缘线痕；或在保持没骨画较为工整造型的基础上，直接以小写意运笔的痕为叶、为茎、为花、为蕾；以及色彩描绘中浓淡互破渲染得宜而形成灵动的变化，把自然灵动的意笔带进了没骨画的形象塑造之中。贾广健对传统没骨花卉语言的突破与丰富，为当代国画的繁荣发展做出了自己的贡献。

The “Lotus” series has long been Jia Guangjian's calling card, and is also his nationally acclaimed works of calligraphy and painting. Recently, our company had the honor to collect one of Jia Guangjian's bird and flower paintings, which is 135cm in length and 70cm in width, and is included in “Contemporary Masterpieces - Jia Guangjian Volume”. The whole picture is light and elegant, with compound petals of lotus flowers, large lotus leaves spreading freely, large and small lotus blossoms blooming competitively, full lotus seedpods, and long water plants. Birds are stationed in the lotus bushes, and the mood is harmonious and beautiful. From the art of composition, the lotus stem is the line, the water plants are the line, the lotus leaf is the surface, the lotus flower, the lotus seedling, the bird and then three points. The dots, lines and surfaces are perfectly combined together, mirroring each other, complicated but not chaotic. In terms of technique, Jia Guangjian not only retains the rigor, craftsmanship, elegance and elegance that are characteristic of traditional bone-less flowers, but also presents an unprecedented vividness, naturalness, spirituality and elegance. The use of water marks in contemporary brushwork texture creates the natural edges of flowers and leaves; or, on the basis of maintaining the more neat shape of boneless paintings, the traces of small writing strokes are directly used for leaves, stems, flowers and buds; and the color depictions of thick and light are properly rendered to create dynamic changes, bringing natural and dynamic strokes into the shaping of the image of the boneless paintings. Jia Guangjian's breakthrough and enrichment of the language of traditional bone-less flowers has made its own contribution to the prosperity of contemporary Chinese painting.

以上藏品相关信息请与：四川君再来拍卖集团有限公司联系。 

For information about the above collections, please contact: Sichuan Jun Zailai Auction Group Co.