Premium Recommendation - Gualeng type firewood kiln holding pot

*本次藏品：瓜棱型柴窑执壶*

典藏尺寸：高：20cm 口径：5.5cm 底径：5.2cm

柴窑是五代十国皇帝周世宗柴荣的御窑。据记载，柴窑创建于五代后周显德初年。柴窑与汝窑、官窑、哥窑、钧窑、定窑有“六大名窑”之称，柴窑位居“六大名窑”之首，明代以后，柴窑开始绝迹，“六大名窑”逐渐演变成了“五大名窑”。

柴窑是一个陶瓷史上的未解之谜，这是中国文物界1000年来的一个悬案，一件件精美瓷器的陆续出现能否解开谜团，柴窑薄如纸色如天，在中国瓷器中，简直就是高不可攀。 文物界普遍认为，柴窑在在郑州。但具体在哪儿，一直没有找到准确的窑址。自1950年起，河南郑州城内便不断有古瓷和瓷窑遗址被发掘。郑州二里岗原始青瓷文化遗址1950 年在二里岗田野发现了商代文化遗址，出土了大量的原始青瓷片和残器。1965 年，在郑州市人民公园西墙外的西陈庄发现了窑址，也出土了一个原始青瓷完整器。1994 年，郑州市北大街开始改造。发现诸多瓷窑遗址。1995年，郑州市东大街红旗大楼和解放电影院拆迁，发现瓷窑遗迹以及许多黑瓷片和青瓷片。1996年，郑州书院街第四木器厂与创新街小学附近的空地上发掘出窑址。1997 年，修建紫荆山路时，在法院东街地区，出土一件碧绿菊口盘和一件碧绿钵，还有很多古瓷片和窑具。2001 年，东西大街拓宽改造时，在紫荆山路西东大街路北，小浪底宾馆建设工地上，省文物考古院在此发掘出土了古窑址群。并发掘出宋元时期的青瓷片，其中有两件异常精美的完整器物，薄胎、碧绿色。当时就有人将这些瓷器和柴瓷联系到了一起。

中国最早的高温釉瓷器之一，柴窑承载着千年文化传承，成为研究古代制瓷工艺的重要实物依据。柴窑出产的瓷器“青如天，明如镜，薄如纸，声如磬，滋润细媚有细纹。”制作精美光彩绝伦，是当时诸多窑中最佳的，被称为“瓷皇”。

五代柴窑瓷器的颜色主要有青瓷、白瓷和黑瓷。  此件瓜棱型柴窑执壶为白瓷，釉面光滑细腻，经过岁月洗礼，釉面呈天青色，类似于“雨过天青云破处”天空的颜色。釉层很薄，薄如纸形容的是柴窑瓷器十分轻薄，甚至可以透光。“民间还有柴窑片瓦值千金的谚语”，一片柴窑瓷片都值千金，何况咱们这件此件瓷器十分完整精美。

此件柴窑瓷器为瓜棱型执壶，壶身为修长的瓜棱形。瓜棱壶——最高档的执壶器型 。执壶在古代扮演了太多角色,在宋代更是普遍使用。但是,哪一类执壶是最讲究的,也是最高档的?那就是瓜棱造型的执壶了。

Chai Kiln was the imperial kiln of Zhou Shizong Chai Rong, the emperor of the Five Dynasties and Ten Kingdoms. According to records, the Chai kiln was established in the early years of Xiande in the Later Zhou Dynasty of the Five Dynasties. Chai kiln, along with Ru kiln, Guan kiln, Ge kiln, Jun kiln, and Ding kiln, is known as the "Six Famous Kilns". Chai kiln ranks first among the "Six Famous Kilns". After the Ming Dynasty, Chai kiln began to disappear, and the "Six Famous Kilns" gradually evolved into the "Five Famous Kilns".

The Chai kiln is an unsolved mystery in the history of ceramics, which has been a mystery in the Chinese cultural relics industry for 1000 years. Whether the successive appearance of exquisite porcelain pieces can solve the mystery, the Chai kiln is as thin as paper and as dark as the sky, which is simply unattainable among Chinese porcelain. The cultural relics industry generally believes that the firewood kiln is located in Zhengzhou. But the exact location of the kiln has not been found yet. Since 1950, ancient porcelain and porcelain kiln sites have been continuously excavated in Zhengzhou, Henan Province. In 1950, the Shang Dynasty cultural site was discovered in the fields of Erligang, Zhengzhou, where a large number of primitive celadon shards and fragments were unearthed. In 1965, a kiln site was discovered in Xichenzhuang outside the west wall of Zhengzhou People's Park, and a complete original celadon ware was also unearthed. In 1994, the renovation of North Street in Zhengzhou began. Numerous porcelain kiln sites have been discovered. In 1995, the Red Flag Building and Liberation Cinema on Dongda Street in Zhengzhou were demolished, revealing the remains of porcelain kilns as well as many black and celadon shards. In 1996, kiln sites were excavated on the vacant land near the Fourth Woodworking Factory on Shuyuan Street and Chuangxin Street Primary School in Zhengzhou. In 1997, during the construction of Zijingshan Road, a green chrysanthemum mouth plate and a green bowl were unearthed in the East Street area of the court, along with many ancient porcelain pieces and kiln tools. In 2001, during the expansion and renovation of Dongxi Street, a group of ancient kiln sites were excavated and unearthed by the Provincial Institute of Cultural Relics and Archaeology at the construction site of Xiaolangdi Hotel on the north side of Zijingshan Road. Simultaneously excavated celadon shards from the Song and Yuan dynasties, including two exceptionally exquisite complete objects, thin bodied and emerald green. At that time, someone associated these porcelain with wood fired porcelain.

One of the earliest high-temperature glazed porcelain in China, the Chai kiln carries a thousand year cultural heritage and has become an important physical basis for studying ancient porcelain making techniques. The porcelain produced by the Chai kiln is "as green as the sky, as clear as a mirror, as thin as paper, as loud as a bell, moist and delicate with fine lines." It is exquisitely crafted with unparalleled brilliance and is the best among many kilns at that time, known as the "Porcelain Emperor".

The colors of porcelain from the Five Dynasties Chai kiln mainly include celadon, white porcelain, and black porcelain. This melon shaped wood kiln holding pot is made of white porcelain, with a smooth and delicate glaze surface. After years of baptism, the glaze surface is sky blue, similar to the color of the sky where "the rain falls and the clouds break". The glaze layer is very thin, as thin as paper. This describes the light and thin nature of Chai kiln porcelain, which can even transmit light. There is a saying in the folk that 'a piece of wood kiln tile is worth a thousand gold'. Even a piece of wood kiln porcelain is worth a thousand gold, let alone this piece of porcelain that is very complete and exquisite.

This piece of Chai kiln porcelain is a gourd shaped holding pot, with a slender gourd shaped body. Gualeng teapot - the most high-end type of teapot holder. Holding pots played too many roles in ancient times, and were widely used in the Song Dynasty. However, which type of teapot holder is the most particular and high-end? That's a gourd shaped teapot.

*本次藏品：瓜棱型柴窑执壶*

典藏尺寸：高：20cm 口径：5.5cm 底径：5.2cm

每一件柴窑作品都是传统工艺的结晶。从选料开始，到复杂的烧制过程，都凝聚着工匠们的心血。把桩师傅凭借其严格的把控和精湛的技艺，使得柴窑作品再现自然质感。柴窑瓷器的独特之处在于其不可复制性，每一件作品都是独一无二的，这也使得它们成为稀世难得的艺术珍品。柴窑作品的艺术价值还体现在其深厚的文化底蕴上。作为中国古代名窑之一，柴窑承载着丰富的历史文化信息。它代表了中国古代陶瓷制作的高超水平，是中华民族传统文化的重要组成部分。

柴窑技艺在中国有着悠久的历史，但随着现代科技的发展，传统的柴窑烧制技艺面临传承和发展的挑战。瓜棱型柴窑执壶不仅是对传统技艺的传承，也是对这种古老工艺的现代化发展。现代匠人在保留传统技艺的基础上，不断创新，使这一经典造型焕发出新的生命力。

瓜棱型柴窑执壶是一件集实用性、观赏性和收藏性于一体的美术陶瓷作品。其独特的设计理念和吉祥的寓意，加上精湛的制作工艺和较高的文化价值，使其成为陶瓷爱好者和收藏家的珍爱之物。通过深入了解和欣赏这件作品，我们不仅能感受到中国传统工艺的博大精深，也能体会到匠人的智慧与创造力。

Every piece of wood kiln work is the crystallization of traditional craftsmanship. From material selection to the complex firing process, it all embodies the hard work of craftsmen. Master Zhu, with his strict control and exquisite skills, reproduces the natural texture of Chai kiln works. The uniqueness of Chai kiln porcelain lies in its non replicability, where each piece is unique, making them rare artistic treasures. The artistic value of Chai kiln works is also reflected in their profound cultural heritage. As one of the famous ancient kilns in China, the Chai kiln carries rich historical and cultural information. It represents the advanced level of ancient Chinese ceramic production and is an important component of traditional Chinese culture.

Chai kiln techniques have a long history in China, but with the development of modern technology, traditional Chai kiln firing techniques are facing challenges in terms of inheritance and development. The Gualeng type firewood kiln holding pot is not only an inheritance of traditional skills, but also a modern development of this ancient craft. Modern craftsmen, while retaining traditional skills, constantly innovate to bring new vitality to this classic design.

The Gualeng shaped Chai kiln teapot is an artistic ceramic work that combines practicality, ornamental value, and collectible value. Its unique design concept and auspicious symbolism, coupled with exquisite craftsmanship and high cultural value, make it a cherished item for ceramic enthusiasts and collectors. By deeply understanding and appreciating this work, we can not only feel the profoundness of traditional Chinese craftsmanship, but also appreciate the wisdom and creativity of the craftsmen.

*本次藏品：瓜棱型柴窑执壶*

典藏尺寸：高：20cm 口径：5.5cm 底径：5.2cm

以上藏品相关信息请与：四川尚亿拍卖有限公司联系。 

For information about the above collections, please contact: Sichuan Jun Zailai Auction Group Co.