Premium Recommendation -Gaozu Gong Bowl

*本次藏品：高足贡碗 *

典藏尺寸：高：19.5cm底足：61.5mm

这只高足贡碗采用典型的高足造型，由碗身、碗盖与高足三部分组成。碗身呈敦实的鼓腹状，线条圆润流畅，给人稳定、庄重之感；碗盖为穹顶形，顶部设有球形钮，既方便开启，又增添器物的精致感；高足修长，上部稍宽，下部渐收，足部的设计不仅提升了器物的高度，使其在摆放时更显挺拔，还与碗身的圆润形成对比，丰富了造型的层次变化。从实用功能看，高足设计可避免手直接接触碗身，在祭祀、供奉等场景中，也更显仪式感；从审美角度，这种造型符合中国传统美学中对 “亭亭玉立”“端庄稳重” 的追求 。

从视觉感受与同类器物类比，碗身、碗盖与高足在尺寸比例上经过精心设计。碗身高度与直径的比例，保证了内部有足够空间容纳供奉之物；碗盖的高度与碗身口沿的直径适配，盖合后严丝合缝；高足的高度约为整体器物高度的三分之一到二分之一，既起到支撑与抬高作用，又不会让器物显得头重脚轻。这种比例关系遵循了中国传统器物造型的 “黄金分割” 理念，使器物在视觉上达到平衡与和谐，展现出制瓷工匠的高超技艺与审美素养 。

This tall-stemmed tribute bowl features a typical tall-stemmed design, composed of three parts: the bowl body, the bowl cover, and the tall stem. The bowl body presents a solid drum-shaped abdomen with round and smooth lines, giving a sense of stability and solemnity. The bowl cover is dome-shaped, with a spherical knob at the top, which not only facilitates opening but also adds a delicate touch to the utensil. The tall stem is slender, slightly wider at the upper part and gradually tapering at the lower part. The design of the stem not only increases the height of the utensil, making it appear more upright when placed, but also forms a contrast with the roundness of the bowl body, enriching the hierarchical changes of the shape. In terms of practical functions, the tall-stemmed design avoids direct hand contact with the bowl body, and in scenes such as sacrifices and offerings, it also enhances the sense of ritual. Aesthetically, this shape conforms to the pursuit of "graceful and upright" and "dignified and stable" in traditional Chinese aesthetics.

In terms of visual perception and comparison with similar utensils, the dimensions and proportions of the bowl body, bowl cover, and tall stem have been meticulously designed. The ratio of the height to the diameter of the bowl body ensures sufficient internal space to hold offerings. The height of the bowl cover is adapted to the diameter of the bowl body's rim, fitting tightly when covered. The height of the tall stem accounts for approximately one-third to one-half of the overall height of the utensil, which not only serves as support and elevation but also prevents the utensil from appearing top-heavy. This proportional relationship follows the "golden section" concept in the modeling of traditional Chinese utensils, achieving visual balance and harmony, and demonstrating the superb craftsmanship and aesthetic literacy of porcelain artisans.

*本次藏品：高足贡碗 *

典藏尺寸：高：19.5cm底足：61.5mm

在陶瓷艺术的璀璨星空中，青花釉里红瓷器以其独特的魅力占据着重要位置。眼前这只青花釉里红高足贡碗，更是集工艺之精巧、文化之厚重于一身，宛如一位从历史深处走来的艺术使者，向我们诉说着往昔的故事，值得我们深入探究其方方面面。

青花的起源可追溯至唐代，唐代的繁荣为陶瓷艺术发展提供沃土，那时就有原始青花的雏形。到元代，青花技术趋于成熟，景德镇凭借优质瓷土与独特制瓷环境，成为青花生产核心区。元青花以其浓艳的青料、繁密的纹饰，如《萧何月下追韩信》梅瓶，展现独特艺术风格，为后世青花发展奠定基础，其利用钴料在瓷坯上绘画，经高温还原焰烧制，呈现蓝色图案，色彩稳定、表现力强 。

釉里红的出现稍晚于青花，同样在元代走向成熟。它以铜为着色剂，在高温还原气氛中烧成红色图案。由于铜红釉对烧制温度、气氛要求极为严苛， 偏差就会导致色泽不正或烧飞，所以早期釉里红产品数量稀少、质量参差不齐。但正是这种高难度，让釉里红自带神秘与珍贵属性，如元代釉里红拔白龙纹罐，红色纹饰在白瓷映衬下，古朴而典雅，开启釉里红艺术独特篇章 。

主题纹饰 —— 龙纹与海水纹

龙纹：碗盖与碗身主体装饰有龙纹，龙作为中华民族的图腾象征，在陶瓷装饰中常见且意义深远。这里的龙纹造型矫健，龙身蜿蜒，鳞片清晰，龙爪刚劲有力，展现出龙的威严与霸气。龙纹的绘制运用了釉里红工艺，红色的龙在青花的映衬下，仿佛在云海、波涛中穿梭，更具动感与生命力。不同历史时期龙纹有不同特征，此龙纹虽难精确断代，但从其形态可感受到传统龙文化的传承，它寓意着权威、吉祥与守护，在贡碗上出现，凸显器物的庄重与神圣用途 。

海水纹：与龙纹相伴的是海水纹，采用青花绘制。海水纹以流畅的曲线勾勒出层层波浪，浪涛翻涌，形态逼真。青花的蓝色赋予海水纹深邃、灵动之感，与釉里红的龙纹相互呼应，营造出 “神龙在海” 的宏大场景。海水纹不仅是装饰，还蕴含着 “四海升平”“福泽深厚” 的美好寓意，在贡碗装饰中，体现对祥瑞、安定的祈愿，也反映古人对自然的观察与艺术化表达 。

辅助纹饰 —— 回纹、卷草纹等

在碗身与高足的衔接处、高足中部等位置，装饰有回纹、卷草纹等辅助纹饰。回纹呈连续的折线形，简洁而富有韵律，具有很强的装饰性，常起到分隔、界定装饰区域的作用，使主题纹饰与其他部分过渡自然；卷草纹以植物藤蔓为原型，经艺术加工后线条婉转流畅，充满生机，增添了器物的细腻感与层次感。这些辅助纹饰虽不是主体，但如同乐章中的间奏，丰富了装饰的节奏，也体现了传统陶瓷装饰 “主次分明、繁简得当” 的布局智慧 。

高足贡碗作为 “贡碗”，首先与宗教祭祀文化紧密相连。在传统中国社会，祭祀天地、祖先、神灵是重要活动，贡碗用于盛放供品，如香烛、祭品等（虽此碗可能主要用于焚香等场景，从造型看有类似香薰、供碗的功能）。龙纹的出现，强化了祭祀的神圣性与庄严性，龙作为沟通天地的神兽象征，寄托着人们对神灵庇佑、祈福禳灾的期盼；海水纹等则蕴含着对福泽广布、天下太平的祈愿，通过贡碗这一载体，将宗教信仰与美好愿景融入陶瓷艺术，成为传承文化的物质体现 。

从审美艺术角度，高足贡碗融合了青花与釉里红的艺术之美，展现了传统陶瓷装饰的独特魅力。其造型、纹饰、色彩搭配，体现了中国传统美学中 “天人合一”“刚柔并济” 等理念，将自然元素（龙、海水）与工艺技巧完美结合，使器物既有实用价值，又具艺术价值。它承载着陶瓷工匠的艺术创造力与审美追求，也反映了当时社会的审美风尚，成为艺术文化传承与发展的见证，供后人欣赏、研究，感受古代艺术的魅力与智慧 。

In the brilliant firmament of ceramic art, blue-and-white underglaze red porcelain occupies an important position with its unique charm. The blue-and-white underglaze red tall-stemmed tribute bowl before us embodies exquisite craftsmanship and profound culture,宛如 an artistic messenger stepping from the depths of history, telling us stories of the past and worthy of our in-depth exploration in all aspects.

Origins and Evolution of Blue-and-White and Underglaze Red

The origin of blue-and-white can be traced back to the Tang Dynasty, when the prosperity of the Tang provided fertile soil for ceramic art, and the embryonic form of primitive blue-and-white emerged. In the Yuan Dynasty, blue-and-white technology matured, and Jingdezhen became the core production area of blue-and-white porcelain due to its high-quality porcelain clay and unique ceramic-making environment. Yuan blue-and-white, with its rich blue pigments and dense patterns (such as the plum vase *Xiao He Chasing Han Xin Under the Moon*), showed a unique artistic style, laying the foundation for the development of blue-and-white in later generations. It uses cobalt to paint on porcelain blanks, which are fired in a high-temperature reducing flame to present blue patterns, featuring stable colors and strong expressiveness.

Underglaze red appeared slightly later than blue-and-white and also matured in the Yuan Dynasty. It uses copper as a colorant to fire red patterns in a high-temperature reducing atmosphere. Due to the extremely strict requirements of copper red glaze on firing temperature and atmosphere—even slight deviations could lead to improper color or glaze loss—early underglaze red products were scarce and of uneven quality. However, this high difficulty endowed underglaze red with a mysterious and precious attribute. For example, in the Yuan Dynasty underglaze red jar with white dragon pattern, the red decoration set off by white porcelain is simple and elegant, opening a unique chapter in underglaze red art.

Main Decorations: Dragon and Sea Patterns

Dragon Pattern

The bowl cover and body are mainly decorated with dragon patterns. As a totem symbol of the Chinese nation, the dragon is common and far-reaching in ceramic decoration. The dragon here is vigorous in shape, with a winding body, clear scales, and powerful claws, showing the majesty and domineering of the dragon. The dragon pattern is painted with underglaze red technology, and the red dragon set off by blue-and-white seems to shuttle through the sea of clouds and waves, full of movement and vitality. Dragon patterns have different characteristics in different historical periods. Although it is difficult to accurately date this dragon pattern, its form reflects the inheritance of traditional dragon culture, implying authority, auspiciousness, and protection. The presence of the dragon pattern on the tribute bowl highlights the solemn and sacred purpose of the utensil.

Sea Pattern

Accompanying the dragon pattern is the sea pattern, painted in blue-and-white. The sea pattern uses smooth curves to outline layers of waves, with surging waves and realistic shapes. The blue of blue-and-white gives the sea pattern a deep and agile feeling, echoing the underglaze red dragon pattern to create a grand scene of "the divine dragon in the sea". The sea pattern is not only a decoration but also contains beautiful meanings such as "peace across the four seas" and "profound blessings". In the decoration of the tribute bowl, it reflects the prayer for auspiciousness and stability, as well as the ancient people's observation and artistic expression of nature.

Auxiliary Decorations: Fretwork, Scroll Grass Patterns, etc.

At the junction of the bowl body and the tall stem, the middle of the tall stem, and other positions, there are auxiliary decorations such as fretwork and scroll grass patterns. The fretwork is in the shape of continuous broken lines, simple and rhythmic, with strong decorativeness, often playing the role of separating and defining decorative areas, making the transition between the main decoration and other parts natural. The scroll grass pattern is modeled on plant vines, and after artistic processing, the lines are gentle and smooth, full of vitality, adding a delicate and layered feeling to the utensil. Although these auxiliary decorations are not the main body, they are like interludes in a movement, enriching the rhythm of the decoration and reflecting the layout wisdom of traditional ceramic decoration that "主次分明、繁简得当" (clear primary and secondary, proper complexity and simplicity).

Cultural and Artistic Value of the Tall-Stemmed Tribute Bowl

As a "tribute bowl", it is first closely connected with religious sacrificial culture. In traditional Chinese society, sacrificing heaven and earth, ancestors, and gods was an important activity. The tribute bowl was used to hold offerings such as incense candles and sacrifices (although this bowl may have been mainly used for incense burning and other scenes, its shape suggests functions similar to incense burners and offering bowls). The dragon pattern strengthens the sanctity and solemnity of the sacrifice. As a mythical beast symbolizing communication between heaven and earth, the dragon embodies people's expectations for divine blessing and disaster relief. The sea pattern and others contain prayers for widespread blessings and world peace. Through the carrier of the tribute bowl, religious beliefs and good wishes are integrated into ceramic art, becoming a material manifestation of cultural inheritance.

Aesthetically, the tall-stemmed tribute bowl integrates the artistic beauty of blue-and-white and underglaze red, showing the unique charm of traditional ceramic decoration. Its shape, decoration, and color matching reflect the concepts of "天人合一" (harmony between man and nature) and "刚柔并济" (combining hardness and softness) in traditional Chinese aesthetics, perfectly combining natural elements (dragon, sea) with craftsmanship. The utensil not only has practical value but also artistic value. It carries the artistic creativity and aesthetic pursuit of ceramic craftsmen, reflects the aesthetic fashion of the society at that time, and becomes a witness to the inheritance and development of art and culture, for future generations to appreciate, study, and feel the charm and wisdom of ancient art.

*本次藏品：高足贡碗 *

典藏尺寸：高：19.5cm底足：61.5mm

以上藏品相关信息请与：四川尚亿拍卖有限公司联系。 

For information about the above collections, please contact: Sichuan Jun Zailai Auction Group Co.