Premium Recommendation -The Three Treasures of Emperor Qianlong in the Forbidden City

*本次藏品：故宫乾隆三宝*

典藏尺寸：尺寸不一（1套）

在中华玉文化的璀璨星空中，“故宫乾隆三宝” 以其独特的历史渊源、精湛的工艺水准与深厚的文化底蕴，成为备受瞩目的存在。这组包含和田玉玉瓶、玉壶套装、玉玺的珍品，不仅是物质层面的精美器物，更是连接历史与现代、传承文化与艺术的重要载体。它们承载着乾隆时期宫廷玉器的审美意趣，凝聚着当代玉雕工艺的卓越智慧，从材质甄选到工艺雕琢，从文化寓意到艺术价值，都值得深入探究与解读。

故宫乾隆三宝以和田玉为材质，以乾隆时期宫廷玉器文化为蓝本，成为传承中华玉文化与历史文化的重要载体。它们承载着中国古代对玉器 “君子比德于玉” 的文化观念，传递着龙、凤、如意等传统吉祥符号的文化寓意，让人们在欣赏玉器之美的同时，能够深入了解中国历史文化的丰富内涵，感受中华民族在漫长历史中形成的审美情趣与价值观念。

在当代文化语境中，故宫乾隆三宝的推出与传播，是文化自信的一种体现。它们向世界展示了中国和田玉文化的博大精深，以及中国玉雕工艺的精湛技艺，有助于提升民族文化认同感，让更多人关注与热爱中华传统文化。通过对故宫乾隆三宝的研究、欣赏与收藏，能够激发人们对传统文化的探索欲望，推动中华玉文化在新时代的传承与弘扬。

In the brilliant galaxy of Chinese jade culture, "The Three Treasures of Emperor Qianlong in the Forbidden City" stand out as remarkable entities, renowned for their unique historical origins, exquisite craftsmanship, and profound cultural heritage. This set of treasures, including a Hetian jade vase, a jade hu (pot) set, and a jade seal, is not merely exquisite objects on a material level but also important carriers that connect history with the present and inherit culture and art. They embody the aesthetic tastes of court jadeware during the Qianlong period and condense the outstanding wisdom of contemporary jade carving craftsmanship. From material selection to craftsmanship, from cultural connotations to artistic value, they are all worthy of in-depth exploration and interpretation.

Taking Hetian jade as the material and modeled on the court jade culture of the Qianlong period, "The Three Treasures of Emperor Qianlong in the Forbidden City" have become important carriers for inheriting Chinese jade culture and historical culture. They carry the ancient Chinese cultural concept that "a gentleman compares his virtues to jade" regarding jadeware, and convey the cultural meanings of traditional auspicious symbols such as dragons, phoenixes, and ruyi (a scepter-shaped object symbolizing good fortune). While appreciating the beauty of the jadeware, people can gain an in-depth understanding of the rich connotations of Chinese history and culture, and feel the aesthetic tastes and values formed by the Chinese nation throughout its long history.

In the contemporary cultural context, the launch and dissemination of "The Three Treasures of Emperor Qianlong in the Forbidden City" reflect a form of cultural confidence. They showcase to the world the profoundness of Chinese Hetian jade culture and the exquisite skills of Chinese jade carving craftsmanship, helping to enhance national cultural identity and making more people pay attention to and love traditional Chinese culture. Through the research, appreciation, and collection of "The Three Treasures of Emperor Qianlong in the Forbidden City", people's desire to explore traditional culture can be aroused, promoting the inheritance and promotion of Chinese jade culture in the new era.

*本次藏品：故宫乾隆三宝*

典藏尺寸：尺寸不一（1套）

吉祥盘龙玉瓶

依据检测证书，该玉瓶总质量达 533.66g，呈经典瓶形。其颜色为青白色，这种色泽在和田玉中别具一格，青与白的交融，营造出温润而古朴的视觉效果。和田玉的折射率经点测为 1.61 ，这是和田玉区别于其他玉石的重要光学特征之一，反映出其内部矿物结构的独特性。吸收光谱不特征，进一步说明玉质内部成分相对稳定、纯净。放大检查呈现纤维交织结构，这是和田玉典型的显微结构，如同天然编织的纹理网络，赋予玉石坚韧的质地与细腻的触感，也是和田玉温润质感的微观基础。

和田玉作为中国玉文化的核心载体，历来被视为 “仁、义、智、勇、洁” 五德的象征。青白色和田玉在历史上也多受青睐，其色泽既有着白玉的纯净底子，又因青色的融入增添了几分含蓄与深邃，恰似中国传统文化中 “中庸” 思想的体现，内敛而富有韵味。

从外观来看，玉瓶整体造型规整端庄，线条流畅自然，展现出宫廷玉器追求的典雅大气。瓶身中部雕刻的盘龙纹饰是最大亮点，工匠以高超技艺将龙的形象刻画得栩栩如生。龙身线条蜿蜒灵动，仿佛在云中穿梭，龙鳞的细节雕琢入微，一片一片紧密排列，通过深浅不一的雕刻手法，呈现出立体感与层次感，让龙的威严气势跃然 “玉” 上。龙在中国传统文化中是皇权与祥瑞的象征，乾隆时期对龙纹的运用更是达到极致，此盘龙纹既彰显了皇家气派，也传递出吉祥、权威的寓意。

瓶身两侧的如意形耳饰设计精巧，如意在中国文化里代表着顺遂、美满，耳饰的线条婉转柔和，与瓶身主体的庄重形成动静相宜的搭配，既增添了器物的灵动之美，又强化了吉祥文化的表达。这种将实用造型与文化符号融合的设计，体现了古代工匠 “器以载道” 的创作理念，使玉瓶不仅仅是一件装饰器物，更是文化寓意的物质体现。

回溯乾隆时期，宫廷玉器制作达到鼎盛，彼时的玉器不仅材质上乘，工艺更是集历代之大成。乾隆帝对玉器的喜爱与推崇，推动了宫廷玉器在造型、工艺、文化内涵上的创新与发展。这件吉祥盘龙玉瓶，无论是从龙纹的运用，还是造型的规制来看，都可视为对乾隆时期宫廷玉器风格的一种致敬与传承。在历史上，宫廷玉器常常作为皇家礼仪、赏玩之物，承载着彰显身份、传递文化的功能，此玉瓶在当代的呈现，也让我们有机会领略到当年宫廷玉器的审美风貌，感受历史文化的延续性。

龙凤薄胎玉壶

该套装总质量 285.36g ，由壶形与杯形玉器组成，颜色为浓郁的绿色，在和田玉品类中，绿色调的和田玉往往因独特的矿化环境而形成，其色泽浓郁且富有层次感，如同春日里的翠影，给人清新且华贵的视觉感受。折射率点测 1.61 、吸收光谱不特征、纤维交织结构等特征，与和田玉的本质属性相符，印证了其材质的真实性。绿色和田玉在市场与收藏领域中，因产量相对稀少、色泽独特，向来备受关注，其价值不仅体现在材质本身，更在于工艺与文化赋予的附加内涵。

薄胎工艺是这套玉壶的核心亮点所在。薄胎玉器的制作难度极高，需要工匠在雕琢过程中精准把控力度与深度，将玉料雕琢得轻薄通透，同时还要保证器物的完整性与实用性。在古代，薄胎玉器多为宫廷珍品，是工艺水平与皇家审美的体现，如今，能够制作出如此精湛的薄胎玉壶套装，也反映出当代玉雕工艺对传统技艺的传承与突破。

龙凤纹饰与文化寓意

玉壶与玉杯上雕刻的龙凤图案，是中国传统文化中极具代表性的符号。龙象征着男性的刚强、权威与力量，凤则代表着女性的柔美、祥瑞与高贵，龙凤结合，寓意 “龙凤呈祥” ，传达出阴阳和谐、吉祥美满的文化内涵。在雕刻细节上，龙的鳞片、爪牙，凤的羽毛、尾翼，都被工匠刻画得细腻逼真，通过浮雕、阴刻等多种工艺手法，让龙凤仿佛要从玉壶表面腾飞而出，生动展现出中国传统吉祥文化的魅力。

从文化传承角度看，龙凤图案在历史上长期作为皇家与贵族文化的象征，融入到玉器、服饰、建筑等诸多艺术形式中。这套玉壶套装将龙凤纹与薄胎工艺结合，既是对传统吉祥文化的弘扬，也让古老的文化符号在当代玉器作品中焕发出新的生机，成为人们理解中国传统文化审美与价值观念的窗口。

除了文化寓意，玉壶套装的工艺价值还体现在实用功能与艺术审美 的融合上。作为茶具，玉壶与玉杯的造型符合人体工学，壶嘴的弧度、壶把的握持感、杯身的大小，都经过精心设计，既方便使用，又不失美观。在实用过程中，温润的和田玉材质与茶水接触，还会因玉石的特性，给人带来独特的触感体验，这种将工艺、文化与实用功能统一的创作思路，体现了中国传统 “天人合一” 思想在玉器制作中的延续，让使用者在品茗过程中，既能感受茶香，又能领略玉文化与工艺之美。

和田玉玉玺 —— 太上皇白玉玺

此玉玺总质量标注为 380g，呈印章雕形，颜色为纯净的白色，白色和田玉向来被视为和田玉中的珍品，因其色泽洁白无瑕、温润细腻，常被赋予 “纯洁”“高贵” 等文化寓意。折射率点测 1.61 、吸收光谱不特征、纤维交织结构，共同构成了其作为和田玉的材质依据。在古代，玉玺是权力与身份的象征，尤其是皇家玉玺，更是承载着至高无上的政治与文化意义，这件太上皇白玉玺在形制与材质上，都试图还原历史上皇家玉玺的尊贵与威严。

从材质稀缺性来看，优质的白色和田玉资源有限，其开采与雕琢都需要耗费大量人力、物力，这也使得白色和田玉玉玺在收藏与文化领域中具有较高的价值基础。同时，和田玉的文化属性赋予了玉玺超越物质本身的意义，它不仅是一件玉雕作品，更成为传承历史文化、彰显文化自信的载体。

在中国历史上，玉玺的发展与政治、文化紧密相连。秦始皇统一六国后，以和氏璧制成传国玉玺，开启了玉玺作为皇权象征的历史。乾隆时期，宫廷玉玺的制作数量与工艺水平都达到高峰，这些玉玺不仅用于政治仪式，还作为乾隆帝赏玩、文化创作的重要物件。这件太上皇白玉玺，备注为 “故宫乾隆三宝之太上皇白玉玺” ，其形制设计参考了历史上乾隆时期玉玺的风格，试图传承当年的文化记忆。

从文化传承角度而言，玉玺所代表的不仅仅是权力符号，更是中国传统礼仪文化、印章文化的体现。印章在中国文化中有着 “立信”“明志” 的功能，书法、绘画作品盖上印章，便赋予其文化身份与艺术价值。这件白玉玺以现代玉雕工艺呈现传统玉玺形制，让人们在欣赏其工艺美的同时，也能深入了解中国印章文化、皇家文化的历史脉络，感受文化传承的温度与厚度。

相较于玉瓶与玉壶套装，这件玉玺的雕刻工艺相对简约，没有过多复杂的纹饰，却以简洁大气的造型展现出独特的审美内涵。这种简约并非简单，而是一种 “大道至简” 的艺术表达，通过对玉质本身的呈现，让白色和田玉的温润、纯净之美得以凸显。在设计上，印章雕形的规整性，体现了中国传统文化对 “秩序”“规范” 的追求，与古代玉玺作为权力象征所需要的庄重感相契合。这种简约风格的审美，也反映出当代玉雕工艺在传承传统的基础上，对 “less is more”（少即是多） 设计理念的探索与实践，让传统文化符号在现代审美语境中找到新的表达方式。

Jade Vase with Auspicious Coiled Dragon Patterns

According to the inspection certificate, the total weight of this jade vase is 533.66g, with a classic vase shape. It features a bluish-white color, which is unique among Hetian jade. The blend of blue and white creates a温润 (warm and smooth) and antique visual effect. The refractive index of Hetian jade, measured by spot testing, is 1.61, one of the important optical characteristics distinguishing Hetian jade from other jades, reflecting the uniqueness of its internal mineral structure. The absorption spectrum is non-characteristic, further indicating that the internal composition of the jade is relatively stable and pure. Magnified inspection reveals a fibrous interwoven structure, a typical microscopic structure of Hetian jade, resembling a naturally woven texture network. This structure endows the jade with tough texture and delicate touch, and is also the microscopic basis for the温润 quality of Hetian jade.

As the core carrier of Chinese jade culture, Hetian jade has always been regarded as a symbol of the five virtues: "benevolence, righteousness, wisdom, courage, and purity." Bluish-white Hetian jade was also favored in history. Its color has the pure base of white jade, and the integration of blue adds a touch of subtlety and depth, just like the embodiment of the "mean" thought in traditional Chinese culture—restrained yet full of charm.

In terms of appearance, the overall shape of the jade vase is neat and dignified, with smooth and natural lines, showing the elegance and grandeur pursued by court jades. The coiled dragon patterns carved in the middle of the vase body are the biggest highlight. With superb skills, the craftsmen depicted the dragon vividly. The lines of the dragon's body are winding and flexible, as if穿梭ing through clouds. The scales are carved in meticulous detail, arranged closely one by one. Through carving techniques of varying depths, a sense of three-dimensionality and layering is presented, making the dragon's majestic momentum vividly appear on the "jade". In traditional Chinese culture, the dragon is a symbol of imperial power and auspiciousness. During the Qianlong period, the use of dragon patterns reached its peak. This coiled dragon pattern not only demonstrates royal style but also conveys the meanings of auspiciousness and authority.

The如意-shaped ear ornaments on both sides of the vase body are exquisitely designed. In Chinese culture, 如意 (ruyi, a scepter-shaped object) represents smoothness and happiness. The lines of the ear ornaments are gentle and婉转, forming a harmonious combination of movement and stillness with the solemnity of the main vase body. They not only add a lively beauty to the object but also strengthen the expression of auspicious culture. This design that integrates practical shape with cultural symbols embodies the creative concept of ancient craftsmen that "objects carry Tao", making the jade vase not just a decorative object but also a material embodiment of cultural meanings.

Looking back at the Qianlong period, the production of court jades reached its peak. At that time, jades were not only of superior materials but also their craftsmanship integrated the achievements of previous dynasties. Emperor Qianlong's love and admiration for jades promoted the innovation and development of court jades in shape, craftsmanship, and cultural connotation. This Auspicious Coiled Dragon Jade Vase, whether in the use of dragon patterns or the regulation of shape, can be regarded as a tribute and inheritance of the style of court jades during the Qianlong period. Historically, court jades were often used as royal rituals and objects for appreciation, carrying the functions of showing status and conveying culture. The presentation of this jade vase in the contemporary era also gives us the opportunity to appreciate the aesthetic style of court jades in those days and feel the continuity of history and culture.

Dragon and Phoenix Thin-walled Jade Pot Set

The total weight of this set is 285.36g, consisting of pot-shaped and cup-shaped jades. It has a rich green color. Among Hetian jade categories, green Hetian jade is often formed due to a unique mineralization environment. Its color is rich and layered, like the emerald shadow in spring, giving people a fresh and luxurious visual experience. Characteristics such as a refractive index of 1.61 (spot test), non-characteristic absorption spectrum, and fibrous interwoven structure are consistent with the essential attributes of Hetian jade, confirming the authenticity of its material. In the market and collection field, green Hetian jade has always attracted much attention due to its relatively rare output and unique color. Its value is reflected not only in the material itself but also in the additional connotations endowed by craftsmanship and culture.

The thin-walled craftsmanship is the core highlight of this jade pot set. The production of thin-walled jades is extremely difficult, requiring craftsmen to accurately control the strength and depth during carving, making the jade material thin and transparent while ensuring the integrity and practicality of the object. In ancient times, thin-walled jades were mostly court treasures, embodying the craftsmanship level and royal aesthetics. Nowadays, the ability to produce such exquisite thin-walled jade pot sets also reflects the inheritance and breakthrough of contemporary jade carving craftsmanship in traditional techniques.

Dragon and Phoenix Patterns and Their Cultural Meanings

The dragon and phoenix patterns carved on the jade pot and jade cup are highly representative symbols in traditional Chinese culture. The dragon symbolizes male strength, authority, and power, while the phoenix represents female tenderness, auspiciousness, and nobility. The combination of dragon and phoenix implies "dragon and phoenix bringing prosperity", conveying the cultural connotations of yin-yang harmony, auspiciousness, and happiness. In terms of carving details, the dragon's scales, claws, the phoenix's feathers, and tail are all carved by craftsmen to be delicate and lifelike. Through various techniques such as relief and intaglio, the dragon and phoenix seem to fly out of the surface of the jade pot, vividly showing the charm of traditional Chinese auspicious culture.

From the perspective of cultural inheritance, dragon and phoenix patterns have long been symbols of royal and noble culture in history, integrated into many art forms such as jades, costumes, and architecture. This pot set combines dragon and phoenix patterns with thin-walled craftsmanship, not only promoting traditional auspicious culture but also making ancient cultural symbols glow with new vitality in contemporary jade works, becoming a window for people to understand the aesthetics and values of traditional Chinese culture.

In addition to cultural meanings, the craftsmanship value of the jade pot set is also reflected in the integration of practical functions and artistic aesthetics. As a tea set, the shapes of the jade pot and cup conform to ergonomics. The curvature of the spout, the grip feeling of the handle, and the size of the cup body are all carefully designed, being convenient to use while maintaining beauty. During use, the warm Hetian jade material comes into contact with tea water, and due to the characteristics of the jade, it brings people a unique tactile experience. This creative idea that unifies craftsmanship, culture, and practical functions embodies the continuation of the traditional Chinese thought of "harmony between man and nature" in jade production, allowing users to feel the fragrance of tea and appreciate the beauty of jade culture and craftsmanship while tasting tea.

Hetian Jade Imperial Seal – White Jade Seal of the Retired Emperor

The total weight of this imperial seal is marked as 380g, carved in the shape of a seal. It has a pure white color. White Hetian jade has always been regarded as a treasure among Hetian jades. Because of its pure white, flawless, warm, and delicate color, it is often endowed with cultural meanings such as "purity" and "nobility". A refractive index of 1.61 (spot test), non-characteristic absorption spectrum, and fibrous interwoven structure together constitute the material basis for it being Hetian jade. In ancient times, imperial seals were symbols of power and status, especially royal imperial seals, which carried supreme political and cultural significance. This White Jade Seal of the Retired Emperor, in terms of shape and material, tries to restore the dignity and majesty of royal imperial seals in history.

In terms of material scarcity, high-quality white Hetian jade resources are limited, and their mining and carving require a lot of manpower and material resources, which also makes white Hetian jade imperial seals have a high value foundation in the collection and cultural fields. At the same time, the cultural attribute of Hetian jade endows the imperial seal with significance beyond the material itself. It is not only a jade carving work but also a carrier for inheriting historical culture and demonstrating cultural confidence.

In Chinese history, the development of imperial seals is closely linked to politics and culture. After Qin Shihuang unified the six states, he made the He Shi Bi (a famous jade) into the Chuan Guo Yu Xi (the imperial seal passed down through dynasties), starting the history of imperial seals as symbols of imperial power. During the Qianlong period, the number and craftsmanship level of court imperial seals reached their peak. These imperial seals were not only used in political ceremonies but also as important objects for Emperor Qianlong's appreciation and cultural creation. This White Jade Seal of the Retired Emperor is noted as "the White Jade Seal of the Retired Emperor among the Three Treasures of Emperor Qianlong in the Forbidden City". Its shape design refers to the style of imperial seals during the Qianlong period in history, trying to inherit the cultural memory of that time.

From the perspective of cultural inheritance, what the imperial seal represents is not only a symbol of power but also an embodiment of traditional Chinese ritual culture and seal culture. In Chinese culture, seals have the functions of "establishing trust" and "expressing aspirations". When calligraphy and painting works are stamped with seals, they are endowed with cultural identity and artistic value. This white jade seal presents the traditional imperial seal shape with modern jade carving craftsmanship, allowing people to appreciate its craftsmanship beauty while also gaining an in-depth understanding of the historical context of Chinese seal culture and royal culture, and feeling the warmth and depth of cultural inheritance.

Compared with the jade vase and the jade pot set, the carving craftsmanship of this imperial seal is relatively simple, without too many complex patterns, but it shows a unique aesthetic connotation with a simple and elegant shape. This simplicity is not simplicity but an artistic expression of "the great way is simple". By presenting the jade itself, the warmth and purity of white Hetian jade are highlighted. In design, the regularity of the seal shape embodies the pursuit of "order" and "norm" in traditional Chinese culture, which is consistent with the solemnity required by ancient imperial seals as symbols of power. This aesthetic of simplicity also reflects the exploration and practice of contemporary jade carving craftsmanship in the "less is more" design concept on the basis of inheriting tradition, allowing traditional cultural symbols to find new expressions in the context of modern aesthetics.

*本次藏品：故宫乾隆三宝*

典藏尺寸：尺寸不一（1套）

以上藏品相关信息请与：四川尚亿拍卖有限公司联系。 

For information about the above collections, please contact: Sichuan Jun Zailai Auction Group Co.