文革邮票

1966 年 “文化大革命” 爆发后，邮票发行体系全面革新。原有的 “纪”“特” 字头邮票被废止，取而代之的是无志号、以 “文 1” 至 “文 19” 标注的19 套 80 枚邮票。这些邮票由中央文革小组直接审批，发行时间集中在 1967 年 4 月至 1970 年 1 月，涵盖政治运动、领袖崇拜、工农兵形象等主题。

After the outbreak of the 'Cultural Revolution' in 1966, the stamp issuance system was completely reformed. The original 'Commemorative' and 'Special' series of stamps were abolished and replaced by 19 sets of 80 stamps labeled from 'Wen 1' to 'Wen 19'. These stamps were directly approved by the Central Cultural Revolution Group and were issued mainly from April 1967 to January 1970, covering themes such as political movements, leader worship, and images of workers and soldiers.

采用 “红光亮” 美学，大面积使用红色，票幅普遍增大（常见 60×40mm）以避免盖销时污损领袖形象。设计多直接挪用宣传画、报刊照片，如文 12《毛主席去安源》即改编自同名油画，发行量高达 5000 万枚。

Adopting the 'Red Bright' aesthetics, with extensive use of red and generally larger ticket sizes (commonly 60×40mm) to avoid soiling the leader's image during cancellations. Many designs directly appropriate propaganda posters and newspaper photos, such as Document 12 'Chairman Mao Goes to Anyuan,' which is adapted from the same-titled oil painting, with a circulation of up to 50 million copies.

2018 年 “大一片红” 以1380 万元创中国单枚邮票纪录，其地图错误与稀缺性成为收藏焦点。“全面胜利” 未发行票（毛泽东与林彪天安门图）2014 年拍出 667 万港元。

In 2018, the "Dai Yipian Hong" broke the record for the highest price for a single Chinese stamp at 13.8 million yuan, with its map error and rarity becoming the focus of collectors. The unissued stamp "Comprehensive Victory" (Mao Zedong and Lin Biao at Tiananmen) was auctioned for 6.67 million Hong Kong dollars in 2014.

文革邮票是研究 1960-1970 年代中国政治、社会的重要实物资料。其设计虽受意识形态限制，却意外成为特殊艺术标本 —— 如文 7《诗词》将狂草书法与油画结合，文 14《南京长江大桥》展现工业成就，具有独特的审美价值。近年来，欧美藏家与学术机构（如哈佛大学）开始系统研究文革邮票，将其视为解读中国红色文化的 “视觉密码”。

Cultural Revolution stamps are important physical materials for studying Chinese politics and society in the 1960s and 1970s. Although their design was constrained by ideology, they unexpectedly became unique specimens of art—such as Document 7 'Poetry' combining cursive calligraphy with oil painting, and Document 14 'Nanjing Yangtze River Bridge' showcasing industrial achievements, which possess unique aesthetic values. In recent years, collectors from Europe and the United States, along with academic institutions (such as Harvard University), have started to study Cultural Revolution stamps systematically, viewing them as 'visual codes' for interpreting Chinese red culture.