Premium Recommendation -One Thousand Yuan of the Republic of China

*本次藏品：中华民国壹仟圆*

典藏尺寸：长：17.8cm宽：8.5cm

这张壹仟圆纸币的设计，是技术工艺与文化表达的精妙结合，每一处细节都可视为当时设计理念与审美取向的缩影。

纸币正面以蒋介石肖像为核心视觉元素，这一设计延续了台湾地区纸币长期以来的人物肖像传统，体现了对特定历史人物的符号化塑造。肖像采用高精度雕刻工艺，面部轮廓、服饰纹理的细节清晰可辨，通过线条的深浅变化呈现出立体感，这是纸币雕刻技术成熟度的直观体现。

肖像周围的装饰图案极具层次感：左侧与右上角以蓝紫色为主色调的花纹，采用了复杂的几何与植物纹样结合的设计，既起到了装饰作用，也暗藏防伪功能 —— 这些纹样由细密的线条构成，在当时的印刷技术下，仿造难度较高。中央位置的 “中华民国”“壹仟圆”“台湾银行” 字样采用黑体字，字体端庄大气，强化了纸币的权威性；文字背景的放射状花纹则以黄、橙、蓝三色渐变呈现，视觉冲击力强，进一步突出了面额信息。

在票面底部，红色的冠字号码 “CL012197FX” 是纸币的身份标识，冠字与号码的组合不仅用于货币流通的追踪，也是收藏领域辨别版本与稀缺性的重要依据。

此外，票面下方的 “中央印制厂” 字样，表明了其印刷机构，这一机构在台湾纸币的印制史上具有专业地位，保障了纸币的印刷质量与防伪水平。

纸币背面的核心图案是台湾总督府大楼（今台湾当局领导人办公室），这栋建筑是台湾近代历史的重要地标，其建筑风格融合了西方古典主义与殖民时期的建筑特征，画面中大楼的立面细节、周围的植被与街道景观都被细腻地刻画出来。这一设计不仅是对地理标识的呈现，更是对台湾地区政治与文化符号的强化，具有强烈的视觉叙事性。

背面的装饰元素同样丰富：左上角与右下角的 “壹仟圆” 字样采用了浮雕式的字体设计，周围环绕着紫、黄、绿三色的花纹，与正面的色彩体系形成呼应；边缘的蓝紫色花纹延续了正面的几何与植物纹样风格，实现了整体设计的统一性。在画面下方，“中华民国七十年製版” 的字样明确了其发行年代，成为历史时间的注脚。

从印刷工艺来看，背面的建筑图案采用了多色套印与凹版印刷技术，不同颜色的油墨层次分明，建筑的立体感与画面的纵深感通过印刷技术得以呈现，体现了当时纸币印刷工艺的高水准。

这张纸币的纸张采用了专用的货币纸张，具有坚韧、耐磨的特性，即便经过长期流通，仍能保持一定的完整性（从图中可见其虽有折痕与磨损，但整体结构未遭严重破坏）。纸张的质感是辨别纸币真伪与年代的重要依据，民国七十年的壹仟圆纸币纸张特有的纹理与厚度，与现代纸币形成了明显区别。

在油墨使用上，其色彩饱和度与耐久性表现突出，尽管历经岁月，正面与背面的图案色彩仍未出现大面积褪色，蓝、紫、红、黄等颜色的搭配既符合当时的审美潮流，也通过色彩的差异增强了防伪性能。

The design of this 1,000-yuan note is an exquisite combination of technical craftsmanship and cultural expression, with every detail reflecting the design concepts and aesthetic orientations of the time.

The front of the note features a portrait of Chiang Kai-shek as the core visual element. This design continues the long-standing tradition of using portraits on banknotes in Taiwan region of China, embodying the symbolic shaping of specific historical figures. The portrait is crafted with high-precision engraving techniques, with clear details of facial contours and clothing textures. The sense of three-dimensionality is presented through the variation in the depth of lines, which is a direct manifestation of the maturity of banknote engraving technology.

The decorative patterns around the portrait have a strong sense of hierarchy: the patterns on the left and upper right corners, mainly in blue-purple tones, adopt a complex design combining geometric and plant patterns, which not only serve a decorative purpose but also have hidden anti-counterfeiting functions. These patterns are composed of fine lines, making them difficult to counterfeit with the printing technology of the time. The characters "Republic of China", "One Thousand Yuan" and "Bank of Taiwan" in the central position are in bold type, which is dignified and grand, enhancing the authority of the note; the radial patterns in the background of the text present a gradient of yellow, orange and blue, with strong visual impact, further highlighting the denomination information.

At the bottom of the note, the red crown number "CL012197FX" is the identity mark of the note. The combination of the crown and the number is not only used for tracking the circulation of currency but also an important basis for identifying versions and scarcity in the collection field.

In addition, the words "Central Engraving and Printing Plant" at the bottom of the note indicate its printing institution, which has a professional status in the history of banknote printing in Taiwan region, ensuring the printing quality and anti-counterfeiting level of the note.

The core pattern on the back of the note is the Taiwan Governor's Office Building (now the office of the leader of the Taiwan authorities). This building is an important landmark in Taiwan's modern history, with an architectural style that combines Western classicism and colonial architectural characteristics. The details of the building's facade, surrounding vegetation and street landscapes in the picture are depicted delicately. This design not only presents geographical identifiers but also strengthens the political and cultural symbols of Taiwan region, with a strong visual narrative.

The decorative elements on the back are also rich: the words "One Thousand Yuan" in the upper left and lower right corners adopt an embossed font design, surrounded by purple, yellow and green patterns, echoing the color system of the front; the blue-purple patterns on the edges continue the geometric and plant pattern style of the front, achieving the unity of the overall design. At the bottom of the picture, the words "Engraved in the 70th year of the Republic of China" clearly indicate its issuance year, becoming a footnote to historical time.

In terms of printing technology, the architectural pattern on the back adopts multi-color overprinting and intaglio printing technology. The inks of different colors are clearly layered, and the three-dimensional sense of the building and the depth of the picture are presented through printing technology, reflecting the high level of banknote printing technology at that time.

The paper used for this note is a special currency paper, which is tough and wear-resistant. Even after long-term circulation, it can still maintain a certain degree of integrity (as can be seen from the picture, although there are creases and wear, the overall structure is not seriously damaged). The texture of the paper is an important basis for distinguishing the authenticity and age of the note. The unique texture and thickness of the 1,000-yuan note paper from the 70th year of the Republic of China are significantly different from those of modern notes.

In terms of ink usage, its color saturation and durability are outstanding. Despite the passage of time, the colors of the patterns on the front and back have not faded significantly. The combination of blue, purple, red, yellow and other colors not only conforms to the aesthetic trend of the time but also enhances the anti-counterfeiting performance through color differences.

*本次藏品：中华民国壹仟圆*

典藏尺寸：长：17.8cm宽：8.5cm

中华民国七十年（1981 年）的台湾，正处于经济高速发展的 “黄金时期”。20 世纪 70 年代末至 80 年代初，台湾通过出口导向型经济策略实现了产业升级，制造业与对外贸易的繁荣推动了货币流通需求的提升。壹仟圆面额的纸币在此时发行，既反映了当时物价水平与交易规模的变化，也体现了台湾地区货币体系对经济发展的适配性。

从货币发行机构来看，这张纸币由台湾银行发行。台湾银行作为台湾地区历史最悠久的金融机构之一，其发行的纸币在台湾的货币流通史上具有重要地位。民国七十年的壹仟圆纸币，是台湾银行在这一经济繁荣阶段对货币供给的重要补充，旨在满足市场对大面额交易媒介的需求，同时也承担着塑造地区金融形象的功能。

将这张壹仟圆纸币置于更广阔的历史语境中，它不仅是一张货币，更是观察 20 世纪 80 年代台湾社会的 “多棱镜”。

从经济史角度，它反映了台湾地区在经济高速增长阶段的货币需求与供给逻辑，大面额纸币的发行是经济活动规模扩大的直接体现；从文化史角度，其设计中的建筑、人物、纹样选择，是当时台湾地区文化认同与审美取向的投射；从技术史角度，其印刷工艺与防伪技术的应用，展现了台湾纸币印制技术的发展水平。

此外，它也成为了两岸货币文化交流的一个间接载体 —— 尽管发行背景具有特殊性，但从纸币设计的技术传承与文化元素的渊源来看，它与大陆近代纸币的发展也存在着一定的历史联系，是中国货币文化多元性的一个微观体现。

这张中华民国七十年台湾银行壹仟圆纸币，从 1981 年的印刷车间走向市场，在无数次交易中完成价值交换，最终进入收藏领域成为历史的藏品，它的 “生命史” 既是一段货币的流通史，也是一段社会的微缩史。其设计的美学价值、工艺的技术价值、历史的文化价值，共同构成了它在收藏与研究领域的独特地位。对于钱币收藏者而言，它是触摸历史的媒介；对于研究者而言，它是解析时代的标本；而对于普通观者而言，它则是一扇窥探 20 世纪 80 年代台湾社会的窗口 —— 在这张小小的纸币上，历史的褶皱与文化的纹理，都被永久地定格了。

In 1981, which was referred to as the "70th year of the Republic of China" in local terminology, Taiwan region of China was in a "golden period" of rapid economic development. From the late 1970s to the early 1980s, Taiwan region achieved industrial upgrading through an export-oriented economic strategy. The prosperity of manufacturing and foreign trade drove up the demand for currency circulation. The issuance of the 1,000-yuan banknote at this time not only reflected the changes in the price level and transaction scale back then, but also demonstrated the adaptability of the currency system in Taiwan region to its economic development.

From the perspective of the currency-issuing institution, this banknote was issued by the Bank of Taiwan. As one of the oldest financial institutions in Taiwan region, the Bank of Taiwan has played an important role in the history of currency circulation in Taiwan region. The 1,000-yuan banknote of the "70th year of the Republic of China" was an important supplement to the currency supply by the Bank of Taiwan during this period of economic prosperity. It was intended to meet the market demand for a large-denomination medium of exchange, while also serving the function of shaping the regional financial image.

Placing this 1,000-yuan banknote in a broader historical context, it is not just a form of currency, but also a "polygon" for observing Taiwan society in the 1980s.

From the perspective of economic history, it reflects the logic of currency demand and supply in Taiwan region during the period of rapid economic growth, and the issuance of large-denomination banknotes is a direct manifestation of the expansion of the scale of economic activities. From the perspective of cultural history, the selection of architectures, figures, and patterns in its design is a reflection of the cultural identity and aesthetic orientation of Taiwan region at that time. From the perspective of technological history, the application of printing techniques and anti-counterfeiting technologies in it demonstrates the development level of banknote printing technology in Taiwan region.

In addition, it has also become an indirect carrier for currency and cultural exchanges across the Taiwan Strait. Although its issuance background has particularities, in terms of the technical inheritance of banknote design and the origin of cultural elements, it also has certain historical connections with the development of modern banknotes in the Chinese mainland, and is a microcosmic embodiment of the diversity of Chinese currency culture.

This 1,000-yuan banknote issued by the Bank of Taiwan in the "70th year of the Republic of China" (1981) went from the printing workshop to the market in 1981, completed value exchange in countless transactions, and finally entered the collection field to become a historical collection. Its "life history" is not only a history of currency circulation, but also a microcosm of social history. Its aesthetic value in design, technical value in craftsmanship, and cultural value in history together constitute its unique position in the field of collection and research. For coin collectors, it is a medium to touch history; for researchers, it is a specimen to analyze the era; and for ordinary viewers, it is a window to peek into Taiwan society in the 1980s. On this small banknote, the folds of history and the textures of culture are permanently frozen.

*本次藏品：中华民国壹仟圆*

典藏尺寸：长：17.8cm宽：8.5cm

以上藏品相关信息请与：四川尚亿拍卖有限公司联系。 

For information about the above collections, please contact: Sichuan Jun Zailai Auction Group Co.