Premium Recommendation - Fanzeng’s Laozichuguan

*本次藏品：范曾老子出关*

典藏尺寸：长:136cm 宽：68cm

在中国当代人物画的璀璨星河中，范曾无疑是最具标志性与影响力的巨匠之一，而《老子出关》作为他的招牌题材，更是将其 “以诗为魂、以书为骨” 的艺术理念与道家哲思融为一体，成为当代文人画中不可逾越的高峰。这幅作品以老子骑青牛西出函谷关的千古典故为母题，以精湛绝伦的笔墨技法、生动传神的人物塑造与深邃悠远的文化内涵，将道家先贤的超然风骨与东方美学的独特魅力展现得淋漓尽致，历经数十年时光洗礼，依然是藏家梦寐以求的传世臻品，一眼便足以让人心神向往，只想收入囊中，珍藏这份跨越千年的文化共鸣与艺术震撼。

In the brilliant constellation of contemporary Chinese figure painting, Fan Zeng undoubtedly stands as one of the most iconic and influential masters. His signature work *Laozi Leaving the Pass* epitomizes his artistic philosophy of "poetry as soul, calligraphy as bones," seamlessly blending Daoist philosophy with his creative vision to achieve unparalleled heights in modern literati painting. This masterpiece draws from the timeless legend of Laozi riding a blue ox westward through the Hangu Pass, employing peerless brushwork, vivid character portrayal, and profound cultural depth to vividly embody the transcendent spirit of the Daoist sage and the unique charm of Eastern aesthetics. Despite decades of time's passage, it remains a coveted masterpiece among collectors—its brilliance instantly captivates the heart, compelling one to covet it for the cultural resonance and artistic awe it embodies across millennia.

*本次藏品：范曾老子出关*

典藏尺寸：长:136cm 宽：68cm

画面之中，老子的形象无疑是整幅作品的灵魂所在。范曾以数十年锤炼而成的 “铁线银钩” 笔法，将老子的仙风道骨刻画得入木三分。老子须发皓然如雪，长眉垂落，双目微阖，似在凝神悟道，又似在俯瞰天地，眉宇间既有历经沧桑的深邃，又有洞悉万物的超然，寥寥数笔便将道家 “大巧若拙、大智若愚” 的哲人风范展现得淋漓尽致。衣袍以中锋行笔勾勒，线条圆转流畅，如行云流水般飘逸灵动，既有吴带当风的潇洒，又有篆隶线条的沉厚力量，每一笔都蕴含着书法的骨力与韵味，将衣物的垂坠质感与人物的出尘气质完美融合，仿佛老子正乘云而来，衣袂翻飞间自带一股仙气。身旁的青牛则以浓墨泼写而成，墨色浓淡干湿变化丰富，牛身的肌理以侧锋皴擦表现，浑厚苍劲，憨态可掬，既体现了 “道法自然” 的道家思想，又与老子的飘逸形成动静对比，一动一静之间，尽显天地万物的和谐共生。一旁的童子则以轻快的线条勾勒，眉眼间透着天真烂漫，衣纹短促跳跃，与老子的沉稳形成鲜明对比，既为画面增添了灵动之气，又暗含着 “传承与新生” 的美好寓意，童子手持竹竿，引牛前行，仿佛在引导着老子走向那片未知的天地，也为画面增添了一丝人间烟火的温暖气息。

In the painting, the image of Laozi is undoubtedly the soul of the entire composition. With a brushwork style honed over decades—"iron wire and silver hooks"—Fan Zeng captures Laozi's ethereal and sage-like demeanor with striking precision. His beard and hair are snow-white, long brows drooping, eyes slightly closed as if in deep meditation or gazing upon the cosmos. His expression conveys both profound wisdom from life's trials and a transcendent insight into all things, perfectly embodying the Daoist philosophy of "great skill appearing as clumsiness, great wisdom appearing as folly" through just a few strokes. The robe is outlined with central brushstrokes, its flowing lines as smooth as drifting clouds and rippling water—graceful yet imbued with the weighty power of seal and clerical calligraphy. Every stroke carries the strength and charm of calligraphy, seamlessly blending the draping texture of the garment with Laozi's unearthly elegance, as if he were descending upon a cloud, his flowing robes exuding an aura of divinity. The attendant ox is rendered in thick, expressive ink washes, with rich variations in tone and texture. The cattle's musculature is depicted through side-brush detailing, creating a robust yet endearing presence. This not only reflects the Daoist principle of "following the way of nature" but also forms a dynamic contrast with Laozi's ethereal grace, highlighting the harmonious coexistence of all things through motion and stillness. The accompanying child is sketched with lively, bouncy lines, his innocent gaze brimming with childlike wonder. The rapid, jagged folds of his robe starkly contrast with Laozi's composed demeanor, adding vibrancy to the scene while subtly symbolizing "tradition and renewal." Holding a bamboo stick to guide the ox forward, the child appears to lead Laozi toward an uncharted realm, infusing the composition with a touch of earthly warmth.

*本次藏品：范曾老子出关*

典藏尺寸：长:136cm 宽：68cm

范曾的笔墨语言，在《老子出关》中得到了最极致的展现。他主张 “以书入画”，将书法的骨力、气韵与节奏融入绘画之中，形成了独树一帜的 “范氏线描” 风格。在这幅作品中，老子衣袍的线条中锋圆润有力，如篆籀般沉厚，转折处却又不失灵动，如行草般流畅，每一根线条都如铁线般坚韧，又如银钩般灵动，被誉为 “铁线银钩”，寥寥数笔便勾勒出人物的风骨与神韵，无一笔冗余，恰合道家 “大道至简” 的理念。墨色的运用更是精妙绝伦，老子的面部以淡墨轻染，温润传神，须发则以浓墨点染，根根分明，青牛的墨色则由浓到淡层层过渡，既表现出牛身的体积感，又营造出氤氲的氛围，让整个画面充满了虚实相生的意境之美。题款书法更是与画面浑然一体，字体苍劲有力，笔势奔放洒脱，与绘画的线条风格一脉相承，将诗、书、画三种艺术形式完美融合，尽显文人画的高雅格调，每一方印章都钤盖规整，印色朱红鲜亮，与水墨的苍润形成鲜明对比，更添古朴雅致的韵味。

Fan Zeng's brush and ink language is best demonstrated in "Laozi Leaving the Pass". He advocated the integration of calligraphy into painting, incorporating the backbone, charm, and rhythm of calligraphy into painting, forming a unique style of "Fan's line drawing". In this work, the lines of Laozi's robe are round and powerful, as thick as seal script, yet agile at the turning points, as smooth as running grass. Each line is as tough as iron wire and as agile as a silver hook, known as the "iron wire silver hook". With just a few strokes, it outlines the character and charm of people and things, without any redundancy, which is in line with the Taoist concept of "simplicity of the Tao". The use of ink color is even more exquisite. Laozi's face is lightly dyed with light ink, warm and vivid, while his hair and beard are dyed with thick ink, with distinct roots. The ink color of the green cow transitions from thick to light, expressing the volume of the cow's body and creating a misty atmosphere, making the entire picture full of the beauty of the interplay between reality and virtuality. The calligraphy style of the title is seamlessly integrated with the painting, with powerful and vigorous fonts, bold and unrestrained brushstrokes, and consistent with the line style of painting. It perfectly blends the three art forms of poetry, calligraphy, and painting, showcasing the elegant style of literati painting. Each seal is stamped neatly, with bright red color, forming a sharp contrast with the ink wash's smoothness, adding a rustic and elegant charm.

*本次藏品：范曾老子出关*

典藏尺寸：长:136cm 宽：68cm

收藏范曾的《老子出关》，收藏的不仅是一幅价值连城的当代书画，更是一段跨越千年的文化传承，一种东方美学的极致表达，一份道家哲思的精神共鸣。它以精湛的笔墨、传神的造型与深邃的内涵，成为当代人物画的标杆之作，也成为藏家眼中彰显品味与眼光的象征。将它置于厅堂，既能在日复一日的观赏中，感受范曾笔墨的精妙与道家思想的深邃，又能在潜移默化中受到东方美学的熏陶，提升自身的文化品味与艺术修养；将它作为家族传承之物，更是为后代留下了一份宝贵的文化遗产，让这份跨越千年的文化记忆得以延续。在赝品泛滥的书画收藏市场中，这幅《老子出关》以其鲜明的范氏风格、精湛的笔墨与清晰的款识，展现出真品独有的时代特征与艺术魅力，是可遇而不可求的收藏珍品。拥有它，便是拥有了一件当代书画的巅峰之作，一份值得世代珍藏的文化瑰宝，它以东方哲思的超然与笔墨艺术的震撼，让人一眼倾心，一眼便想永久珍藏，成为藏家手中永不褪色的传世臻品。

Collecting Fan Zeng's "Laozi Leaving the Pass" not only represents a priceless contemporary painting and calligraphy, but also a cultural heritage spanning thousands of years, an ultimate expression of Eastern aesthetics, and a spiritual resonance of Taoist philosophy. It has become a benchmark of contemporary figure painting with exquisite brushstrokes, vivid shapes, and profound connotations, and has also become a symbol of taste and insight in the eyes of collectors. Placing it in the hall not only allows one to appreciate the subtleties of Fan Zeng's brushwork and the profoundness of Taoist thought day after day, but also subtly influenced by Eastern aesthetics, enhancing one's cultural taste and artistic cultivation; As a family heirloom, it has left a precious cultural heritage for future generations, allowing this cultural memory that spans thousands of years to continue. In the market of calligraphy and painting collections where counterfeits are rampant, this painting "Laozi Leaving the Customs" showcases the unique characteristics of the times and artistic charm of the genuine product with its distinct Fan style, exquisite brushwork, and clear style, making it an invaluable collectible. To possess it is to have a pinnacle of contemporary calligraphy and painting, a cultural treasure worth cherishing for generations. With the transcendence of Eastern philosophy and the shock of brush and ink art, it makes people fall in love at a glance and want to permanently preserve it, becoming a timeless masterpiece in the hands of collectors.

*本次藏品：范曾老子出关*

典藏尺寸：长:136cm 宽：68cm

以上藏品相关信息请与：四川尚亿拍卖有限公司联系。 

For information about the above collections, please contact: Sichuan Shangyi Auction Co., Ltd